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Meeting God in Broken Places: A Review of The Shack

God the Father

When the novel The Shack was published in 2007, everyone was talking about it, particularly its unusual portrayal of the Trinity. Jesus as a Middle Eastern carpenter was hard to dispute, but the Holy Spirit in the personified form of an Asian woman? God the Father represented as a black woman seemed to raise the most objections. None of these struck me as quite the dangerous heresy they were being declared by more conservative folk, and religious fiction isn’t usually the section I target in Barnes and Noble. But the book was gaining popularity and my congregation was reading it. They wanted to know what their pastor thought of the ideas in the book, many of which were new to them, and so I read the book out of obligation.

With the recent movie release, clergy are in a similar position of being asked what we think about The Shack. Frankly, I didn’t expect to like it much. I found the book alternately pedantic and vague, and too blithe in its treatment of grief and guilt. The latter statement might also be made of the film, which moves at Hollywood pace through tragedy, fallout, and recovery. Still, I was moved by its portrayal of a man trapped in loss and shame who meets God and finds the ability to forgive himself.

The characters of the Trinity are compelling and provocative, if we can set aside the need for absolute theological accuracy at every moment – and after all, who has ever represented the Trinity with absolute theological accuracy in any single statement or metaphor? This version of the triune God is personified separately, in a way that brings out their vitality and relationship. That each person of the Godhead appears as a person of color was to me a relief and delight. And although it’s not explored in detail, “Papa” is played by the same woman, Octavia Spencer, who offers the young Mack pie and empathy in his abused childhood. Plenty of commentators have had difficulty with God being portrayed as a black woman. Some of our people may well have questions about the gender and skin color of God, or about God being visually represented at all. But it seems to me to be downright biblical that God appears to Mack in the one form that he might accept as benevolent. Isn’t the whole story of Scripture rife with examples of God appearing to humankind as we are best able to perceive and receive God? Isn’t this the story of Jesus, God made one of us so that we might see divine love personified? Read more

Jesus on the Big Screen

Movie Reels

Movie Reels

While I was serving as a camp chaplain this summer, a young woman asked me if I could recommend a Jesus movie. Her question surprised me at first: I wasn’t aware of a demand for Jesus films from teenagers. But we were at the end of a very deep conversation about her faith, and she was at a tender and critical moment in her journey. I wanted to make sure I recommended the right one.

As I racked my brains for just the right Jesus movie, I realized that she was seeking more than just a cinematic experience. Her generation, more than any other, is one that gathers its information from online media, especially videos. While books, plays, and other forms of art and entertainment provided connection and conveyed meaning for past generations, she and her peers turn to video sources like YouTube, Hulu, and Netflix for those needs. This teenager was asking for more than just information: she was asking for a way she could connect and relate to Jesus.

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